Sunday, April 5, 2009

Photos

The view of the back of the van, which is packed more safely and snugly than it probably looks

The set of Town Mouse, Country Mouse

Acting is hard, especially after a workout

The Tom Sawyer set on the stage of Cincinnati College Preparatory Academcy

One of our favorite venues, the Akron Civic Theatre


Robbie and Teresa enjoy a short off-the-road ice-cream snack



The van, outside Marie Roberts Elementary School, Lost Creek, KY




The Long and Winding Road

Friday, April 3

After performing at Marr-Cook Elementary in the morning, we saw that the next call sheet was for a show at another elementary school, forty-five minutes away. So we hit the road, pushing through our lunch break, until we got to the school. I hopped out of the van, entered the front office, greeted the secretary with a big smile and said what I always say: "Hi, my name is Chris, and I'm with ArtReach, the group that is doing the show later today."

The secretary smiled back, but seemed puzzled. "A show...today?"

"Yes," I said, "and we just need to know where to load in." It's not uncommon for administrators not to know we are coming; I assume it's rather easy to forget about an assembly when there are hundreds of children's needs to worry about. So I didn't think much of the secretary's hesitation until she said:

"I believe we canceled that show."

My blood ran cold. Didn't the call sheet direct us here? And weren't we twenty minutes early? And then I remembered that our touring coordinator had mentioned a cancellation on Friday, and I rejoiced a little. Yes! We didn't have an afternoon show after all! It was a pity we had driven almost an hour to get here, but no harm done; let's just head back home!

Still, it never hurts to check. "Could you please double-check that for me?" I asked. "I'll call the office and confirm." She left, and I whipped out my phone.

While leaving a voicemail at the office, I heard the secretary talking with someone in a back room. She returned with a sad smile and said, "I'm sorry you made the trip, but we definitely canceled the show about a month back."

I thanked her and walked back out to the van, eager to share the good news with the rest of the group. I hopped in and said, "No show this afternoon! We're done. Let's go home."

But they weren't convinced, so we double-checked the calendar and saw, to our horror, that there was a different school listed than was on the call sheet. We skimmed through the binder and found no such sheet for that school. So Robbie used the GPS on his phone to get directions to the school (another forty-five minutes away, we learned) while I used my phone to contact the office.

I spoke with Kelly, and explained the situation. She said she would call the school and let them know we were running late. She added, though, that the show would have to be shortened to accomodate the bus schedule. Town Mouse, Country Mouse normally runs about fifty minutes or more, and then we take questions, so starting a show at 1:30 when the students are supposed to be boarding buses at 2:15 was cutting it close. As a group, we started thinking of how to tighten up the show, which bits could be shortened, which lines could be cut. And during the next half hour, we figured out a way to make the show itself a half hour; after all, we'd get to the school with less time to set up, and assuming we weren't able to start right at 1:30...well, we thought, it was going to be an adventure.

Little did we know.

For you see, as we made our way toward Russellville, OH, the road took us across some wide, open spaces. And we were on this road for almost twenty miles when Robbie (who was driving) suddenly said, "I don't like those orange signs."

Sure enough, a quarter-mile ahead, was an orange diamond by the side of the road which warned, in big, black letters: ROAD ENDS IN 1000 FT. We came around the bend, and lo and behold, where once a bridge stood, there now was construction. Men in hard hats, bulldozers, and a series of dirt blockades stopped us literally at the end of the road. Robbie turned the van around, and as we headed away from the construction site, we saw detour signs. (The logic escapes me.) I called the school and informed them that the road we were on suddenly disappeared.

"Oh," said the principal, "you must be on 68-South."

"That's right," I said, "except that now we're on a detour road. 774-South."

"Oh," said the principal, very grave, "I don't think you're going to make it." She re-explained the bus situation, and said that the road we had taken would take us too far out of the way. In short, she wanted to cancel the show. I told her that it wasn't my call to make--I'm only the road manager, and cancellations and schedule adjustments are beyond my limited authority--and that I would relay the message. Which I did.

Kelly OK'd the cancellation, and since we were within ten minutes of the school and it was only 1:35, we were a bit disheartened. Not only is it always a joy to perform, but it turns out that the booking was made at the last minute, and the school was anxious to have us. I can't help but feel a little guilty for not paying closer attention to the discrepancy between the call sheets and the calendar, but in a situation like this, everyone and no one is really to blame. All you can do is to try to be more vigilant in the future.

We had been running out of gas the entire trip, and so we stopped at a gas station and UDF nearby. While the van filled up with gas, I bought a double-dip (twisted turtle and some sort of almond flavor). And as we traveled "the long and winding road" back to Cincinnati, we played the Wicked soundtrack, and sang songs to pass the time.

Thursday, March 26, 2009

Photos and the Beginning

In the MU-Middletown elevator, with all the set and props!

The set of Tom Sawyer: An Original Musical. (Robbie to scale.)

About to raise the backdrop.

Assembling the backdrop.

Robbie and Caitlin, excited for their first day on tour with ArtReach!

Robbie, Caitlin, Teresa, Chris: Loading out at Miami University-Middletown

--

We start the new tour--officially--tomorrow, with a performance in Blue Ash, OH. After yesterday's staff dress rehearsal of Town Mouse, Country Mouse, we continued to tweak and play through the afternoon today. Our artistic director and playwright, Kelly, encouraged us to play and explore as the tour progresses, discovering more moments and bits in the next two months. We can thank her and Roderick for the progress we've made with this new script, and we look forward to taking it on the road.

Saturday, March 21, 2009

Hoedown

Yesterday, we premiered Tom Sawyer: An Original Musical (this newest version, at least) at the Middletown campus of Miami University. We had a morning and an afternoon show, entertaining crowds of teachers and young students. They are always wonderful to us at this venue: they constantly reiterate how much "we just love ArtReach," they feed us box lunches, and they help us load-in and -out.

It was also Caitlin and Robbie's first time on the road with ArtReach. We couldn't have asked for a better beginning. The sun was shining by the time we got back in the van, so we stopped briefly at Sonic's (it was on the way) and got slushies.

Today, we have a later rehearsal slot (4pm-9pm) at the office. We will perfect the choreography for Town Mouse, Country Mouse. It is a bit exciting to think that in less than a week, we will be out of the rehearsal room and on the road, into the full force of two months of touring.

--

Facebook users can perhaps find video of Robbie and I (as the Country Mouse and the Brooklyn Bunny) dancing the "hoedown" dance. (http://www.facebook.com/home.php#/video/video.php?v=1049196228927&subj=71500601)

Saturday, March 14, 2009

Town Mouse, Country Mouse

We begin rehearsals for Town Mouse, Country Mouse on Monday, with our director, Roderick. We worked with him for A Christmas Carol not three months ago, and we are excited to have him back.

Jen, our director for Tom Sawyer: An Original Musical is wonderful and fun, very open to suggestions and enthusiastic about getting as much of "the funny" as possible out of every joke. Because of her excellent guidance, our dress rehearsal for the staff of TCTC went very well on Thursday--so well, in fact, that rehearsals were called off for Friday, due to lack of needing them. It is a testament to Jen's directing capabilities and a compliment to us actors, and we all enjoyed our separate days off yesterday (probably sleeping in and catching up on TV...and memorizing lines for the next show, of course).

--

The break is a welcome one. This three-day weekend is a luxury we rarely enjoy in the thick of a touring season, as is the convenience of working always close to home. It is a grind still, but a lesser grind, a loosened tie, a release of pressure.

It seems, too, that this last leg of the season will be a light one, in terms of our set. The last time we toured two shows simultaneously (The Legend of Sleepy Hollow and An Algonquin Cinderella) was back in the fall, and the van was unbelievably packed. So, also, with A Christmas Carol, a show whose set pieces were much larger than any others we've transported. The set for Tom Sawyer uses the same amount of space as did the Coretta Scott King set, though prop-wise it is more advanced: two standing gravestones that can be disassembled and stacked, a white picket fence piece that folds in the middle but is still about a yard square, a large wooden bench, and a slew of props and costumes.

From what we've seen so far, the TM, CM set will be similarly small. Two blocks from Cinderella have been repainted and can be turned upside-down to serve as containers. What will go in them, though, has yet to be seen.

And we won't find out until next week. For now, there are hours of scripts and words, and plenty of imaginings. Everything solidifies on Monday.

Sunday, March 8, 2009

New Shows, New Folks

We've ended the tour of Coretta Scott King, and we've moved right into Tom Sawyer: An Original Musical and Town Mouse, Country Mouse (rehearsing in that order).

Tomorrow, we will have been working on Tom Sawyer for a week. Quite literally, we left one show and entered another. Teresa and I said goodbye to Marva and Justin after our morning show at Blue Ash Elementary last Monday, and after snagging a quick Rally's lunch, arrived at the home office to meet the new half of ArtReach, Robbie McMath and Caitlin Drance. Robbie has done some CTC work in the past (we saw him in High School Musical 2 that Saturday before we met him), and Caitlin is new to the company.

Even with our vast mix of experience and training, our talents meld nicely. Robbie just graduated high school last year and plans to attend NKU this fall. Caitlin has gone to college for theatre, and she also went to a stunt school. Jen Scott, our director, said that we were the most talented group of actors ever to do ArtReach at one time. We'll take it.

--

Now, six days into rehearsals for Tom Sawyer, we are already off-book and layering on sound cues and costume pieces. The next few days will be the real test of our virtuoso abilities, as more costumes come into action--and also more spectators. The dress rehearsal for the staff is Thursday, but we'll be ready.

Saturday, February 14, 2009

Springfield, OH

Two days ago, we returned from our tour of Springfield, OH, courtesy of the Springfield Arts Council's "Arts in the Classroom" program. They have booked every show we've offered for the last two seasons. So we have performed The Legend of Sleepy Hollow, An Algonquin Cinderella, A Christmas Carol, and now, Coretta Scott King and the Fight for Freedom, at schools in that area; as a result, we are getting to know Springfield fairly well.

We have now stayed at the same hotel several times, and the owner recognizes us when we check in. He waves to us when we leave each morning and sometimes, when we return each night. We know the strip of fast-food joints and necessity shops near the hotel.

It's always a welcoming sort of feeling, coming back to a familiar town, and familiar schools. We've performed at Horace Mann Elementary a few times, enough to remember where the restrooms are, where we can park the van, etc. So often we arrive at a school that seems surprised at our visit, but in Springfield, we are always expected, always welcomed with grace.

--

Teresa had some special guests in attendance at two of the shows: Her parents and her aunt came to our evening show at a local museum and convention center, and the next day, some friends arrived at the Horace Mann show. One of the perks of traveling so close to Cincinnati is that there are so often familiar faces in the audience. I imagine that for the grown-up friends and family members who know us actors, the delight in watching the show is twofold. Not only do they get to see their loved ones perform, but also the joy and lessons we bring to the students.

C. S. Lewis, author of the beloved Narnia children's books series, said that he enjoyed writing books for kids more than for adults, because he was able to put more into them, and thus, he got more out of them. I think it is the same with children's theatre. More effort and precision goes into your performance, especially since you repeat it so many times, and the nuances you create in your roles are more inspired, more genuine. There are few audiences so rapt as children, and few stories as carefully woven as those crafted for simple, adoring minds.